article BEGIN:
concert photography is a critically important (though oftentimes underappreciated) component of punk and diy subculture.
a symptom of our contemporary age, the proliferation of high quality cameras on the person of every suburban somebody means that anyone at the backyard clumption has the potential to create viral digital content at the touch of a finger.
therefore, it means something special to have scene constituents who really care about preserving the experience for all the losers who missed out; once impossible, but now accomplished through the power of modern means, the handheld digital SLR.
cue church organ
that's why i figured that for the main section of this article, i'd bring in famed, and regionally adored, photomanipulation prodigy Ryan Gomez and ask him a few questions. if you somehow don’t already know him, i’m embarrassed for you.
but you can start here, and then afterwards check out his content at his profile @ryan_gomez123.
Favorite bands right now:
before you leave, departed from bear island, burial etiquette, Lavender Point, and boy,
Best part about the modern world:
The best part about living in the modern world is the internet. I would of have never discovered the music I like or the shows I go to without it.
"the chillest" - local scene-goer
"its not a function w/o ryan" - ig commenter
"love that guy" - truman sinclair
at any given DIY event, every person in attendance, performer, techie, booker, photographer, security guard, whatever; has the potential to be an amplifier of culture, especially if documented.
as a photographer (an excellent photographer i'd say btw), you provide that service for the greater scene community, preserving culture and history on behalf of others.
by archiving your photos on social media, your personal perspective becomes the viewfinder by which everyone else experiences that intangible moment of the past. through this, you too become an amplifier for culture just as much as the performing band, if not more so. do you like to consider your work from this lens? 🧐
Ryan Gomez:
I enjoy documentation photography, which means getting people at random. My best photos are catching the moment as is, which makes the images more surreal, adding character with detail. This is just my form of view though. My ambition is to document as much as possible and to convey the immediacy and truth found in such work.
wow ryan that was beautiful
next question:
when compared to other scene photographers, i feel like your work has always been very distinctive, with a focus on photos of the other scene-goers.
you take a lot of candid photos of all kinds of people in the audience, not just the mosh pit. that's something i don't normally see other photographers at diy shows focusing on.
do you think that these types of images, rather than purely focusing on the performers, helps to build a better environment for DIY culture, or mainstream perception from the general public?
Ryan Gomez:
I like to photograph the performers and the people present because without them you don’t have a venue. Plus I like to catch the highlights, happiness, energy, and people being themselves behind the lenses of my camera.
and final question:
any famous photographers you really connect with? or maybe something else you'd like to share that helps define you to our readers better?
Ryan Gomez:
Joel Meyerowitz and Garry Winogrand are photographers whom I admire and have inspired me to do photography in my free time. It's interesting to me because their work is a time capsule. Their work has inspired me to do documentation photography and try to capture people in their everyday life.
thanks so much to Ryan for being a part of this interview and THANK YOU for reading all the way to the bottom.
you can find @ryan_gomez123 at your local LA underground show on any given night, camera in your face and finger on the pulse. you can also follow him at his instagram HERE
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