An article about music promotion, media analysis, and the mechanics of conscientious content repostage in the midst of the digital apocalypse
By Griffin Meehan
photo credits: Top Banner: Parker Metzger, Above: Truman Sinclair, Background: Parker Metzger
Some Disclaimers:
This article is best viewed on a horizontal screen. Users may find minor discrepancies with images on mobile.
This article is around 8000 words in all. Just letting you know now.
A video essay using this text as a script will soon be made public on our youtube channel for those who prefer that.
You can find our channel here, linked below.
https://www.youtube.com/@mousemagazine
Finally, footnotes are intended to be read in synchronicity with the main article. They are marked throughout by "(fn#)".
Following along is easier when keeping them on a second tab, and switching between with Ctrl+Tab or browser equivalent.
Or don't read them, do whatever you want.
I have something to share with you all, something that I need to get off my chest.
I need you to promise that you won’t get mad.
Just let me start from the beginning and it’ll all make sense by the end.
I think you'll find it interesting enough anyhow.
The internet, since its adoption by the global culture, has long been categorized by its distinct fringe and mainstream subcultures. These communities characteristically orbit around a central anchor that brings its constituents together (think sports, beauty, crafts, film, fashion, cooking, cars, etc). Music, in all its forms, has always been one of the most popular subcultures on the web, and for decades before the formation of bytedance. All across the web, musicenjoyers gushed, gossiped, argued and bonded with each other through online forums, video-sharing comment sections, chatrooms, and in-game lobbies. Times have changed of course, and audiences, over time, have followed the mechanisms and transitory forces of the market. These forces have historically fueled mass digital migrations from the early web forums on towards contemporary social media platforms, all in the pursuit of innovation and improved user experience (fn1).
In a world of audience instability, retention is the most essential component of a successful platform. Today, within the online world of music, every content creator on the internet is looking to cash in on the high volumes of algorithmic traffic generated from this month’s hottest tracks, (or alternatively, the most niche). From daily rec bloggers, to album review critics, bedroom club lip-syncers and music historians, there’s a constant stream of potential revenue (or potential memetic influence to be gained) for nearly every genre out there. As a denizen of the music-media periphery, you of course, already know this, but we have to start somewhere.
This article has two major purposes that will soon become clear. First, an analysis of the current state of musicposting onto the digital wasteland in the year of our lord 2025 (including rapid innovations in subtle advertisement and the development of the digital music sector). Second, (and more importantly) a confession regarding my own place within the maelstrom mentioned prior, and my experience wielding the sharp knife of content regurgitation (fn 2).
The following is my testimony. You’ve been duped.
None of you are immune to having your attention and/or media preference commoditized.
They’ve got your number now. So do I, but less so.
Let’s cut the preamble.
This past summer, my TikTok algorithm started giving me quite a lot of concert videos taken from within the crowds of music shows, and it got me thinking a lot about audience labor (fn 3). Most specifically, it got me thinking about how genuine and sincere this kind of advertisement appears (without context) to the consumer (me) in comparison to really any other form of media advertisement we tend to come across in daily modernity (fn 4). After some self-reflection, and having been introduced to a few bands through this avenue, I was feeling particularly impressed with how genuine promotion for a given brand can appear to be; but only when the initial uploader can be quickly identified (accurately or not) as being unaffiliated with the depicted product/company/artist subjected in the given video (fn 5).
To summarize, I realized I was resonating a lot better with bands whom I’d discovered through the lens (and depicted setting) of live shows, recorded right from the center of a massive audience. They all just seemed to have a stronger sincerity (and better engagement), compared to over-done self-promotion we see all the time from TikTok verified (or unverified) tiktok band profiles.
You know what I mean, the ones that tend to be soulless or pity-driven.
no offense random band I'm using as an example
The point of this all is, that the more I saw of these kinds of videos, and the more I thought about it, the more I started to wonder about whether or not these were all even real fans making these videos at all. What if just a few of these clips I was seeing online were tour managers or music industry reps taking iphone flicks at their client’s show?
Or otherwise social media interns at any given online, mid-sized record label, tugging at the preconceived biases of music enjoyers on the web and subtly manipulating them into idolizing industry plants with illusory grassroots support. Egads!
Here’s an example of what I’m talking about.
For legal reasons, I am not insinuating that this account is a plant, though it has all the markings.
https://www.tiktok.com/@bigmikesguitar
but hey get ur bread mk.gee management, i understand it and i mean no shade, homie looks like a talented guy
also he was on jimmy fallon too!! wow!!!
This was getting to be a lot, I was starting to get lightheaded, and so I put it aside.
So what if a few particularly web-savvy record labels happened to be jeopardizing the integrity of the inherently anonymous, digital diy subculture of tiktok and instagram?
Or otherwise bespoiling the unspoken media tenets of truth and agency through the proliferation of fabricated context and implied preconceptions?
Pshhh. Who cares, sounds to me like a night on cable news.
Unfortunately for me (and for the mouse mag content timeline),
after a few days,
I started to wonder again,
and I couldn't stop this time.
Ok but what if MY band’s tiktok account had a different username and looked like any other frequently active musicenjoyer, would the short-form videos I upload of my own music content do any better on the american algorithm?
Had consumers effectively tuned out band self-promotion so thoroughly that another avenue was necessary?
One of deceit?
In my imagination, I envisioned myself swapping masks from the easily identified, and oftentimes corny, self-promotion for my own brand, in exchange for a wholly separate (and discreetly fabricated) identity of someone else who just happened to like my band (Frat Mouse, the one I was promoting at the time).
Then, according to my own stated preferences and pre-conceptions of media sincerity, I would no longer be just any other emo band engaging in generic self-advertisement, but rather an external ENDORSEMENT from a completely different musicenjoyer, one with their own thoughts, opinions, and cohesive digital footprint.
A theoretical someone like that might even be perceived by the general masses as cool! (fn 6)
Could I really alter the outcome of my engagement just by nature of presenting a different identity?
Surely it couldn't be that easy.
I figured, why not try putting this theory in practice? Just to see where it goes! Part personal bet, part lab experiment, part shameless memetic ambition, part… something else.
And for the username? Why complicate things.
Welcome to the media apocalypse emoenjoyer42069, here’s your ammo.
If you've been following along with my initial ambitions for this project, and then checked out the profile linked above; I think you've got a pretty good idea of where this whole thing is going, so feel free to skip around the article.
For the sake of your orientation, you just completed reading the introduction. This middle third coming up (everything from this point until “content breakdown”) will cover my guiding principles for the account, my intentions, a general analysis on how I think about content I intend to upload, some recommendations on how to maximize your incoming engagement, and (most importantly!) how to best migrate that attracted attention toward your own personal projects with maximum retention (AKA how to get more attention for the projects that pay your rent through content reposting).
I chose the “emo” subculture just because it's where I felt most familiar making content within (fn7). When putting this practice into action on your own, feel encouraged to alter my method and curate your own profile to suit whatever community-subculture you prefer, they’re all different. On the subject of picking which social media platform to use, Instagram has always been comparatively more effective for me, engagement-wise, but TikTok was always where the new audiences and mass appeal was to be found. Leverage them both for maximum reach.
I'll also mention that I have limited exposure posting frequently onto other contemporary platforms, but I hypothesize that emoenjoyer would have really struggled on more text-based sites, such as Tumblr, Twitter, or Threads. A clever content-reposter knows how to best utilize the strengths and weaknesses of their chosen platform(s) to best engage with new and returning audiences (fn8). This is a skill you will soon become proficient in.
It's also worth noting that while the initial vision for this project was rooted in simple concert recordings and meme edits, I wanted to fill in the gaps of my fabricated portfolio with found footage from around the web to flesh it out. Over quarantine, I had already made a youtube playlist filled with suitable emo-related content for ripping and reposting, so maybe I had this scheme subconsciously premeditated for longer than I originally thought (fn9). Most of what I ended up posting under the emoenjoyer42069 identity originated from this playlist, so feel free to peruse (fn10).
While there’s certainly something to keep in mind about the, shall we say, commercially-minded origins behind this fresh account, I still wanted to keep a general air of sincerity, if at least for my own conscience. I intended to keep things classy, and if possible, subtle. No twin-screening, flashing text or clickbait thumbnail elements representative of every other shallow short-form content-reposting shmuck.
Ideally, emoenjoyer42069 should feel like a completely standard music content purveyor, reviving emo bangers in service of all the good people out there on the deserts of big data, looking for a lifeline into the real. I figured that my bread and butter for this project would be to make a good first impression with anyone checking my profile, get them to follow me for my great taste, and then hit them periodically with naturalistic self-promotion of my own brand, sometimes subtly, sometimes not.
To help maximize engagement, and also to entertain myself, I made a habit of responding to the majority of the comments left on all my posts. This both doubled the total number of comments, as well as built rapport with surface-level emoenjoyers who may not be fully sold on following me just yet (fn11). When replying, I tried to respond in a mix of post-ironic prose and affirmation, spreading positivity and diy themes in an ascending order of importance (fn12).
First, I wanted to uplift the scene as a whole, encouraging people to get off their phones, out of their homes, and into their neighbor’s backyard house shows. Second, I wanted to encourage a connection to music in general (which would not be hard considering the subculture I was operating within). And third, I wanted to promote anti-gatekeeping, supplemented by a mantra of inclusion for others regardless of identity, within a swiftly developing community surrounded by a theatre of otherwise disconnected short-form wanderers.
I’m planning on going ahead and breaking down some of emoenjoyer’s most popular posts over the past few months while reviewing some of the lessons I learned from each. But before we do that, we’ll need to understand the base elements of a given piece of short form video content, so I can explain why I made the choices I did, and what you can do differently for your own web-bound, targeted-media manipulation campaign.
Just to let you know, we are about to get into some real nitty-gritty media theory. There are plenty of other academic sources that break down this kind of thing better than me, (and some which tend to be much more verbose about it) but I’m going to leave this section of the article entirely uncited and source only from my own experience.
Those other articles are kind of a hard read and I'd rather not emulate them.
The following summary is my own methodology regarding media, and is the foundation of what goes through my head when I post any kind of digital content for the promotion of myself or others.
By following this guide, you will learn all the mechanics and philosophies of slinging high-velocity content trash into the information black hole we call contemporary mediaspace.
From here on out, things are going to speed up, so let’s break it down (fn13)
All media uploaded online can be broken down into four foundational components, Format, Content, Context and Purpose. By understanding these, we have a framework to start with, and we can fine tune different aspects of each element until we arrive at a piece of media that can best accomplish our desired objectives (fn14). By building our uploads around our base elements, we can minimize disorientation and confusion, which in turn, maximizes engagement from an incoming audience.
Remember, a good first impression is essential for converting any viewer into a follower and stimulating further spread between friends, where word of mouth, (or the equivalent share over DM) is the most valuable form of advertisement possible for fostering a well-engaged and highly retentive audience. It's all about trust.
Format:
"The structure and procedure of consumption for a given piece of media."
You can think about Format as the literal layout of your screen when watching or engaging with a piece of digital content. This is the base of our pyramid. Fullscreen, windowed, swipe to scroll, UI overlay, option dropdowns etc.
When posting anything, you should be asking yourself a series of questions related to each component in order. Some questions you might ask yourself relating to format may include:
How much of the screen does my video take up? How much space do I have to fill with elements? How much negative space is left? How does my orientation help or harm the conveyance of my message (landscape, portrait, or square)? Where are the engagement buttons in relation to the subject of attention and is anything obscured?
On TikTok, (and like that of most other short-form content platforms), a standardized Format is necessary for getting the ideal, brain-fog doomscroll we all know so well. A uniform format creates a scrolling experience that is homogenized, consistent, and easy for viewing consumption, inducing a kind of dopamine-fueled stupor (fn15). All that really means is that you won’t be able to alter too much about the format structure of your content, they don't want to you to mix too much up. You’ll have to work around what you’ve got. Limitation sparks creativity.
Format-wise, most short-form content posted within the music subculture today is either a series of readable images accompanied by sound, or a video with text overlaid. Both these approaches are suitable for reposting, and require only slightly different processes to use both. You can specialize in one, or try experimenting using multiple different kinds of formats.
Posting curated videos with overlaid text is probably the easiest method to farm engagement and followers if you’re starting from a base of absolutely nothing, as long as you aren't being annoying with it. The key to benefiting from this kind of content is again, making it genuine enough to secure the follow. This is possible even with shameless self-promotion (the main motivator for a follow on this kind of content is oftentimes pity), but significantly easier with an alias, as we've been over.
One final note about formatting: when reposting content onto smartphone-oriented social media platforms (tiktok, reels, shorts, etc), remember that you are transitioning your media from landscape to a portrait scale, which may lose meaning or effectiveness when converted to a vertical orientation. These are just a few examples, but you really should keep the format of your selected medium in mind when designing a post all the way through. Doing so, you’ll end up with better, more visually receptive content that cultivates a higher chance of algorithmic triple 7’s.
Content:
"The sound, video, text, or still imagery that is being depicted in a given piece of media"
This is the big one. Can’t have good media with bad content.
Or maybe you can🤔.
Before you post, you should really ask yourself a series of questions pertaining to how your content will be digested and constructed in-app. Some questions of that nature might include:
What is the hook of my post (aka why are people not immediately skipping)? Is there enough visual activity to be stimulating but not overwhelming? Who, or what, is the main subject of my video? Is my audio synced up? If not, and I overlaid my own custom audio, is it contributing thematically or algorithmically to my main content (i.e. using trending audio)? Is this content related in theme or caliber to the rest of my profile? Is the experience of consuming my content seamless?
Remember, not all elements of your content need to be on screen the whole time, we aren't trying to overwhelm anybody, and we want to keep our message clear and concise.
Although I will say, within the contemporary short-form paradigm, using flashing, captioned text is probably one of the best ways to grab attention and provoke engagement. Don't consider anything like this a hard science though, media preferences and platforms change so rapidly that any playbook written on how to make efficient content becomes outdated quickly after release. Just look at how fast TikTok has changed and adapted, which has gone on to impact the variations of unique content trash currently finding success on the American Instagram Reels.
When posting on emoenjoyer, I tried to keep overlaid text to a minimum, as part of that manufactured sincerity I brushed upon earlier. In relation to that, I typically included only a single sentence as a hook, flashed in the center of the screen, with smaller periphery text providing useful metadata and general context. Due to my sparse use of other elements, I ended up relying a lot upon my actual videos and images themselves being good enough to convince people to stay. This worked to an extent, as you'll see in Section 3.
The rest of what I would say about content is pretty self-explanatory I think, and you're a smart cookie after all, piece it together yourself.
Context:
"The present memetic ecosystem that surrounds a piece of media. Everything the audience already knows, and anything that's just out of frame."
Before posting, some questions you might want to ask yourself pertaining to context may be:
How is my media post related to the broader American (or your country/region of choice) online conversation / digital cultural zeitgeist? What news is buzzing right now that may be relevant to my post, or would alter someone's else perception of my post? What other similar bands/sounds/brands/products/creators are popular right now that might have relation to my post? What other content might my post remind someone of, and is it leverageable? How likely is it that my audience has already seen this video or something similar? How niche, or already popular, is the interest of my video, might that give me an edge or a disadvantage?
Context is the hardest to get right in the moment, and impossible to predict over time. Some media could surely become timeless, but its hard to land, especially within the realm of content reposting.
When posting, consider what you know other people are already familiar with regarding the subject of your video and the surrounding cultural infosphere. Don't let it fully dictate your next steps, but work it into your formula.
Do some research and read the room. Sometimes, its all about timing.
Purpose:
"Why was this uploaded in the first place. What are the short and long term goals for a given piece of content? How is this post contributing to the broader message of a profile/brand?"
People post content on the web for countless reasons. To sell products, to become famous, to generate ad revenue through attention, to drive engagement somewhere else, to entertain or to express themselves, whatever.
I already mentioned my objectives for this account beforehand, but I’ll speak especially candidly about it now.
emoenjoyer42069’s primary purpose was to drive engagement, and to build grassroots support online for Frat Mouse and my solo project (dj orbgripper) through shameless repostery upon tiktok.com. My objective, and therefore my Purpose, was to get people to follow my account now for the funnies, and remember the brand for later when I started promoting the important stuff (fn16).
My endgame would be when I finally started promoting my own content, I’d have both stronger rapport, and a more curated, and active emo audience to pitch to.
To wrap this article up, I’m going to speed through emoenjoyer’s top hits with some quick, expounded thoughts about them. This should hopefully really wrap everything up pretty well, summarizing my theories put into practice, and the background of how I choose which content to upload. (Spoilers! For maximum success, just post what you think is cool!)
For this section, I’m going to just pick and choose a few posts. And keep it quick. Even if you stopped reading here, you could probably go all the way back through my account right now and be able to trace my thinking for each post.
Just to let you guys know, I really trimmed the fat from this article, it used to be a lot longer, but I wanted it to be as dense as possible. Hope it's not too long already. So it goes.
97.4k likes, 1273 comments, 26.1k saves (as of Feb 2025) (link to my post) (link to original video)
Caption: banger band wish this guy was still jerry joining around on girlfriends incredible album and chillest dude alive id say #emo #diyemo #midwestemo #riff #midwestemoriff #livemusic #washington #underground #scramz #diy #carseatheadrest #music #alexg
To summarize the contents of the video itself, The setting is Spokane, WA in the year 2009. To a college-aged crowd inside a cramped, DIY music venue, Jerry Joiner is performing a solo math-rock set for the ages. This video will one day, become timeless, but nobody in the room knows it yet. Joiner spends the first minute and a half setting up 4 guitar loops on his pedalboard, before walking over and jamming out on the drums for the last minute or so, much to the delight of the crowd and my algorithmic/kismet digital audience.
This is just a great video by pretty much every possible metric we could judge our content by for reposting. There’s high visual activity, with both the performer and the crowd in the background, so it's great for holding attention, but it takes a bit of time to really get going. To keep people from immediately scrolling by, I included some text at the beginning of the video, in the center of the screen to hold focus, “u gotta wait for the drums”. Looks like it worked.
There’s a lot of wind up until we get to our payoff, and in the meantime, I have to assume that people are passively scrolling through the comment section at the same moment they’re waiting for the drums to begin (at 1:40).
On their way through, they’d be seeing some pretty interesting stuff down there.
The vast majority of comments are people talking about how much they love the band Girlfriends, how much they love music, living in general, the content, or the context of this video.
In these screenshots, you can see me replying to pretty much ever single comment to boost engagement, and also to keep viewers hanging around and coming back to my post.
I usually don’t see so many people getting philosophical in tiktok comments in the same way that I saw here, particularly on the topic of the power of music, something I figure is worth mentioning. It feels like when I come across comment sections that look like this on the wider algorithm, it's always under some really great emotional text post, slideshow, or otherwise. You’re probably already familiar with the types of creators I’m talking about. This is the type of content I believe to be constructive and contributional to the youth and general webculture.
(not gonna rattle off a bunch of other creators who are doing the same thing for the sake of time, but shout out to committee of affairs on tiktok)
I'm glad that this video was able to garner such a reaction, and to evoke such an atmosphere of sincerity. This positive reaction towards a given piece of content, (one that the average tiktok user might not usually get to see), is the epitome of the consumer to emoenjoyer pipeline I’m looking to establish.
Entirely for personal gain of course don't get it twisted.
On a real and personal note, I rewatch this video frequently. My favorite time to watch Jerry Joiner shred is usually the first the moment I have at a house party with an unattended apple tv remote and empty living room. I’ve shown Girlfriends to all my friends, and this video means a lot to me. God bless Jerry Joiner and his phantom band. If I had a time machine this is where I would send it to.
Also worth briefly mentioning, this video has absolutely been posted to tiktok before, and maybe more than a few times before, so I'm definitely not some emo repost revolutionary. This particular post just happened to get picked up well by the algorithm. That, and I had a high volume of engagement and reposts, could be luck, could be proof of prior concept. You can decide for yourself, if you choose to put this all into practice on your own.
Some extra things I want to mention but not get super into:
I intentionally used the words “Jerry Joiner” a million times in the caption and comment section in order to farm a blue search bar comment for the phrase “jerry joiner girlfriends”
It's good practice to make use of all the different extra mechanics these short form platforms tend to use now. I have a hunch that it’s more favored by the algorithm and boosts engagement. Remember kids, blue is goo(d).
Joiner drops a drumstick immediately after starting to play at around 1:44. He recovers, grabs another stick and keeps going. It also shows up pretty well on camera. Nice work Jerry.
Dancing guys could be their entirely own article with the ways in which people argue over them in the comments. Idk kids, is it cringe to dance like a loser at the local music show?? Want to know what I think? Who cares! Have fun, it's the end of the world and we’re all gonna die. I love dancing guy, and I did my best to defend his honor in the comment section. Shame he wasn't there to do it himself.
There’s also someone who claims to be dancing guy’s current girlfriend, and you know what, even though she says he works at tiktok now, I'm still happy for them. Looks like scene kids get happy endings after all. Now you have to be like those instagram live millennial couples who try to turn their homeschooled preadolescent kids into a family rock band.
lastly, shout out to the real girlfriendsenjoyers I met out there keeping the subculture alive.
https://www.tiktok.com/@velvetmia213/video/7434110350020168967
https://www.tiktok.com/@velvetmia213/video/7418496449136151826
DIY community is built brick by brick, and it isn't the bands that are the most essential components, but rather the fans and supporters. Its the bookers, the content creators, the house party hosts, and the people who open their homes, their media intake, and their communities to the scene. Examples above.
Caption: cant find this one in many places anymore so thanks to the heroic csh archivists who saved such a legendary preformance from jimmy's clutches. you'll have to kill me jimmy fallon show if you want me to stop posting car seat headrest online. send your worst. #emo #diy #csh #carseatheadrest #midwestemo #music #live #livemusic #carseatheadrestmemes #alexg #fyp
I like this video. It means a little bit more to me knowing that this version of Bodys is nearly completely scrubbed from the internet on any other mainstream media platform out there (except for vimeo so shout out + linked above). If perceived value can be broken down into merely supply and demand, then I’m just doing my part by tipping the scales a bit. I actually originally found this video reposted onto someone else’s emoenjoyer equivalent account and tracked down the only permanent link that exists out there on the internet. Yoink.
Quick tip, before you post, its always good to think about who your target audience is going to be. For this one, I’m looking to hit the twink-motivated, chronically-online “i hate car seat headrest” crowd with the content that they couldn’t get anywhere else upon the 'tok. They’d follow me, I’d post something of my own a few weeks alter, and then the investments would start compounding, as we’ve been over (fn17).
Almost immediately after this post started getting attention, I had dozens of car seat headrest pfp’s (short for “profile pictures”, for those offline) rolling into my comment section with their distinctive meme-ciphered gen z leetspeech. Hook, line, and sinker.
For anybody feeling lost, don’t worry about it.
This is code, to mean that they LOVE car seat headrest 👍
also looks like the algorithm went a little too far and ended up attracting some normies who had never heard of csh before.
they would be torn apart by emo vultures, for the internet is a dangerous place for people without niche enough music taste.
In reflection, I’d say yep, this was a pretty great post.
We’ve got some nice obscure content, an adequate hook, strong memetic value, and an accessible target audience characterized by a high engagement rate (fn18).
I was also posting this for me, you've gotta have a little bit of self-indulgence.
Followers in the pocket. Emo sleeper cells waiting to be activated.
Moving on.
15.3k likes, 111 comments, 2.7k saves (as of Feb 2025) (link to my post) (link to original meme) (link to original newscast)
Caption: these two things are deeply connected. this guy is also me fr yk they say if you make it through february youll make it another year and i'd buy that. get excited everybody we are well on our way through emo fall which means EMO WINTER IS ALMOST HERE #fratmouse #alexg #mobo #emomusic #momjeans #musicmeme #musicmemes #edit #memeedit #musicrecommendations #underground #musicrecs #midwestemoriff #emo #midwestemo #guitarriff
This one I actually made myself, but I stole the idea from a disco elysium meme I saw on my youtube recommended. I wasn’t overly subtle with it, and someone who had seen the original meme called me out for it.
Who cares, meme stealing is hardly a crime.
I ended up editing this video on my phone in the TikTok app because I thought it would give me better reach. I mentioned this before but when I’m posting I like to use all available mechanics of whichever platform I’m using, (as tedious as it is sometimes) for better chances of hitting the algorithmic jackpot. This means editing within the app, using the basic text font, making a simple caption with good hashtags, all part of the execution. If you’d like to, consider using those “add yours” engagement buttons TikTok has been trying to popularize (I didn’t). The other major reason for editing this one on my phone was so that I could use TikTok’s version of grant wasserstein that was already uploaded as a sound. Same reasoning as above.
Since this was intended to be my method of payoff, its the type of content that's most important to get right when it comes to editing. If I was planning for these to be the way that I cashed in on the follower base I was generating, I needed to keep it subtle, demure even. Memes are good for this kind of thing (self-promotion) because they don’t reveal very much information about their authors, and are easily spread between individuals who might have no connection to the original context, if only through extension (fn19). Ahhhh, memetics.
I just want to add a few additional comments about some of my better posts that didn't end up going nuclear in the same way as the prior three above, but that I still think are worth mentioning. The algorithm is a fickle and unknowable beast.
Title Fight, Head in the Ceiling Fan Orchestral Cover,
by the University of Toronto Jazz Ensemble, November 20th 2023
148 likes, 13 comments, 39 saves (as of Feb 2025) (link to my post) (link to original video)
Caption: played at the university of toronto in 2023, recorded on VHS-C. shout out to the students of the University of Toronto Jazz Ensemble and all the emo jazz musicians out there across american academia. god bless u. originally uploaded to youtube by user CLEF, 23. #titlefight #emo #headintheceilingfan #jazz #orchestra #ensemble #music #midwestemo #edit #emobangers #musicrecommendations
This is just a great video all over, which is why I’m minorly disappointed that it didn’t get the same amount of attention as the original video on youtube (linked above). If you check it out, you’ll see a lot of really emotional people chatting in the comment section not unlike the 2009 girlfriends post. The immortal beauty of music and whatnot.
I think its possible that this repost didn't have a good enough hook to keep people engaged, and which would explain why it didn't take off in the same way. Although, I figured that if I was reaching my intended target audience of titlefightenjoyers, the obscurity of the video, plus the niche-nature of an orchestral cover of an emo banger would serve well enough as a hook. Either way, I was wrong, or just got unlucky. so it goes, gg go next.
I posted this video for me anyway, or at least that's what I'll say.
fr though, shout out to those band kids, keeping the scene alive.
FEAR, on Saturday Night Live, October 31st, 1981
84 likes, 2 comments, 9 saves (as of Feb 2025) (link to my post) (link to the original repost I downloaded)
Caption: back when snl was good! "its great to be here in new jersey!" comment what bands snl should have on their little show next i think they should get chief keef to do a set then I'd finally watch their program "new york sucks!" - Ian McKay #punk #punkhistory #emo #snl #newyork #ny #punkshow #thrash #mosh #pit #moshpit #history #usa🇺🇸 #culture #counterculture #war #emo #musicmeme #musicmemes #underground #music #lol
Banger. Not much else to say about this one. There's a ton of history here and its probably better if you look it up yourself instead of me just parroting it. SNL wishes they were this cool now.
I downloaded this from a hardcore archival youtube channel, hence the watermark. They probably got it from somewhere else before that. Watermarks or identifying imagery is a little sloppy in the context of a short-form repost, I'd try to limit that kind of thing when doing this on your own, but sometimes there's no way around it.
As for the editing and posting itself, I think I might have made it a little too busy with the overlaid text, but overall the video is solid and informative. Hook is alright, content is good, though it might be a bit long. This might have done better on the algorithm had I clipped it up a little more. Every post has a lesson within if you're looking for it.
If I was going to wrap this whole experience up, I’d say it went pretty alright. We built a modest following over a short period of time with relatively low effort. I mean, how else can we effectively judge something like this?
By the numbers? 3.2k followers and 140k likes at the time of writing. A drop in the bucket.
Did I prove my initial thesis? I don’t know. Maybe more research is needed. Maybe it's you who will continue my work next.
I hope that you won't leave this article thinking that a project like emoenjoyer just a one-off, or that other bands aren't doing something similar to promote their own content online. Everybody is looking for an edge over everyone else, and there's a reason that media study and memetics are rooted deeply in Darwinian thought. Survival of the fittest.
Your favorite local band might be using tiktok burner accounts to spread their music right now, through posting, commenting, or other forms of outreach.
I'm just the only one you've seen come clean about it.
Question everything you see online, not just content but users too.
Learn something from what you view online, we are the media we consume.
If you’re wondering what the future of emoenjoyer42069 is going to be, its probably going to look a lot like how it already does. I might just replace the frat mouse meme with a slidedeck explaining how to find this article, and then I’ll continue to post content within the "emo" (or adjacent) subculture.
One final thing, leveraging sincerity (or manufactured sincerity) on the internet doesn’t only come in the form of content reposting or industry-backed concert-goer impersonation.
When weaponizing the mantra of emoenjoyer for your own ambitions, remember to get creative! There’s a million ways to use the information vortex with authenticity to redirect engagement and attention to your own projects (AKA the ones that pay your bills). Get out there and make something. Truth to power bro.
This article needs to be over and I can’t think of anything else right now that I feel overwhelmingly obligated to include, so that’s it, thanks for reading. At this point, its been months since I’ve last uploaded an article, and in that time, America fell ass-first into fascism.
I feel like I have much more important things I should be doing right now, like learning how to grow crops, or maybe how to maintain a firearm.
And yeah in summary, basically fuck you guys I'm going to keep using emoenjoyer to post clips I find on youtube and I’ll pretend I never even make this article to begin with.
Get excited for the next articles and stuff coming from mouse mag in the future, I sure hope that it takes even a quarter of the time that I spent working on this one.
Shout outs to all my friends who knew from the beginning, and bigger shout outs to all the friends who figured out it was me after I kept annoying them with it.
You guys should all try consuming your newsfeed with that much deference.
Shouts to Ben, Truman, Autry, and Nic for helping me refine the vision.
Shouts to Parker, Jfin, Matt, Marc, Ryan, Dean, and everyone else who read this article throughout the time I was working on it.
Here's a link to a specific cell on our freely-editable community board
Feel invited to leave a comment with your thoughts on this article, or go ahead and reach out to me with questions at
mousemagazinecorporate@gmail.com